If our world is composed of overlapping stimuli which create constant sensory overload, then why should visual art limit itself to any one discipline such as painting, sculpture, print, video or computerized digital images? Is it not true that imagery is inseparable from sound and evolution in time?
n my work, the theme of skin and its impermanence has always been a constant — starting from the use of wax in painting, to create a textural body, which then emerged from the canvas to the elastic skin of a model I collaborated with and photographed for 7 years until his death.



